Order Artwork Replica Self-Portrait as the Allegory of Painting, 1630 by Artemisia Gentileschi (1593-1656, Italy) | WahooArt.com

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"Self-Portrait as the Allegory of Painting"

Artemisia Gentileschi (i) - Oil On Canvas (i) - 96 x 73 cm - 1630 - (Royal Collection (Windsor, United Kingdom)) (i)

Self-Portrait as the Allegory of Painting , also known as Autoritratto in veste di Pittura or simply La Pittura , is a remarkable oil-on-canvas painting by the Italian Baroque artist Artemisia Gentileschi . Created during her stay in England between 1638 and 1639, this work is now housed in the esteemed Royal Collection at Windsor Castle.

About the Artist

Artemisia Gentileschi was a prominent Italian Baroque painter born in Rome in 1593. She trained under her father, Orazio Gentileschi , and is regarded as one of the most accomplished painters of her generation. Her unique position as a female artist allowed her to create works that were both personal and allegorical.

The Painting: Self-Portrait as the Allegory of Painting

This painting measures 98.6 by 75.2 centimeters (38.8 in × 29.6 in) and is characterized by its dynamic composition and vivid colors. Gentileschi depicts herself holding a brush in one hand and a palette in the other, embodying the allegory of painting. The background features a wall painted red, adding depth and contrast to the image.

The Allegory of Painting

Gentileschi's self-portrait combines her own likeness with the depiction of the female personification of painting, as described in Cesare Ripa's Iconologia. This unique blend allows her to identify herself as both the artist and the allegory. The painting showcases her intense concentration and creative energy, symbolized by her disheveled hair and the prominent letters "A.G." and "F." (for "Fecit," meaning "made") on the stone slab.

Location and Acquisition

The painting was created during Gentileschi's stay in England and was subsequently acquired by King Charles I. It is now part of the Royal Collection , a testament to her artistic prowess and the recognition she received during her lifetime. Discover More Artemisia Gentileschi Paintings: - Artemisia Gentileschi: Self-Portrait as the Allegory of Painting (detail) - Orazio Gentileschi: Joseph and Potiphar's Wife

Conclusion

Artemisia Gentileschi's Self-Portrait as the Allegory of Painting is a masterpiece that not only showcases her artistic skill but also her unique position as a female artist in a male-dominated field. This painting is a testament to her creativity and perseverance, making it an invaluable part of art history. Explore the rich world of Baroque art and add a masterpiece by Artemisia Gentileschi to your collection today. Image Information: The painting is a self-portrait of the artist Artemisia Gentileschi , who was a female artist during the 17th century. The painting depicts her as an allegory of painting, with her holding a paintbrush in one hand and a palette in the other. She appears to be focused on her work, possibly creating a masterpiece. The background features a wall that is painted red, which adds depth and contrast to the image. The artist's attire includes a dress, which complements the overall composition of the painting. Additionally, there are two chairs in the scene, one located near the left side of the painting and another towards the right side. These chairs may have been used by the artist or her subjects during the painting process. For more information on Artemisia Gentileschi's works, visit https://WahooArt.com.

 




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