Salvador Dali (i)
Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain) (i)
Inside this painting are six separate images, interwoven and laid atop one another.This composition is probably the best example of paranoiac-critical activity in operation in the paintings done by Dal. He is not satisfied with pursuing a double image but succeeds in accumulating and making rise simultaneously, or one after another according to the particular capacity of the viewer, six different subjects, thus justifying the title The Endless Enigma which he gave to this picture.
The subjects are in succession: a reclining philosopher; a greyhound lying down; a mythological beast; the face of the great Cyclopean, Cretin; a mandolin; a compotier of fruits and figs on a table; and finally a woman seen from the back mending a sail. One can perceive here, besides, appearing in the corner at the right, the upper part of Gala's face with a turban on her head and at the bottom left, balanced on a stick, the skeletal remains of a grilled sardine. Several times during the same period Dal depicted grilled sardines, placed in dishes, together with telephones, such as : Beach with Telephone, The Sublime Moment, Imperial Violets, or The Enigma of Hitler, in all of which this instrument symbolizes the period of great political tension in Europe which preceded World War II, particularly at the time of Munich, when the telephone played such an important role in the negotiations between the Allies and Hitler. Most of these pictures, including The Endless Enigma, were started - indeed, almost all were painted - at the estate of Coco Chanel, "La Paula," at Roquebrune on the Cote d'Azur.
Payment
- Oil Painting (Inspired By)
- OilPainting [{A-5ZKF65}] (Inspired By)
- PROMOTION(MHZKF10)
- NamePlate
- FRAME(P438Z)
- Linen
- Dim(38 x 29.8 inch (96.5 x 75.7 cm))
- The Endless Enigma 1938
- Discount of -48 USD on the painting
- Worldwide DHL/Fedex Shipping
- Quality nameplate for your Painting
- With insurance of refund 100% of all eventual fees including customs taxes
- Total:880 USD
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Salvador Dali
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Artworks in museum
- Centre Pompidou (Paris, France)
- Dalí Theatre And Museum (Figueres, Spain)
- Guggenheim (New York, United States)
- Guillermo De Osma Gallery (Madrid, Spain)
- Metropolitan Museum Of Art (New York, United States)
- Museo Nacional Centro De Arte Reina Sofía (Madrid, Spain)
- Museu De Valores Do Banco Central Do Brasil (Brasília, Brazil)
- Museu Do Caramulo (Caramulo, Portugal)
- Museum Folkwang (Essen, Germany)
- Museum Of Art (Philadelphia, United States)
- Musées Royaux Des Beaux-Arts (Brussels, Belgium)
- National Gallery Of Australia (Canberra, Australia)
- National Gallery (Washington, United States)
- Philadelphia Museum Of Art (Philadelphia, United States)
- Reynolds Morse Foundation (Cleveland, United States)
- Salvador Dali Museum (St.Petersburg, United States)
- Scad Museum Of Art (Savannah, United States)
- Staatsgalerie Moderner Kunst (Munchen, Germany)
- Tate Gallery (London, United Kingdom)
- Tate Modern (London, United Kingdom)
More information on this artwork on this websites
Salvador Dali - The Endless Enigma, 1938
www.pinterest.com/sholee222/%eb%8b%ac%eb%a...
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ArtsDot.com (Salvador Dali)
Arts & Entertainment > Hobbies & Creative Arts > Artwork
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ArtsDot.com-A-5ZKF65-OilPainting-38x29.8inch-P438Z-EN-USD
OilPainting [{A-5ZKF65}] (Inspired By)-PROMOTION(MHZKF10)-NamePlate-FRAME(P438Z)-Linen-Dim(38 x 29.8 inch (96.5 x 75.7 cm))-The Endless Enigma 1938
https://ArtsDot.com/ADC/Art-ImgScreen-2.nsf/O/A-5ZKF65/$FILE/Salvador-dali-the-endless-enigma-1938.Jpg
Inside this painting are six separate images, interwoven and laid atop one another.This composition is probably the best example of paranoiac-critical activity in operation in the paintings done by Dal. He is not satisfied with pursuing a double image but succeeds in accumulating and making rise simultaneously, or one after another according to the particular capacity of the viewer, six different subjects, thus justifying the title The Endless Enigma which he gave to this picture.
The subjects are in succession: a reclining philosopher; a greyhound lying down; a mythological beast; the face of the great Cyclopean, Cretin; a mandolin; a compotier of fruits and figs on a table; and finally a woman seen from the back mending a sail. One can perceive here, besides, appearing in the corner at the right, the upper part of Gala's face with a turban on her head and at the bottom left, balanced on a stick, the skeletal remains of a grilled sardine. Several times during the same period Dal depicted grilled sardines, placed in dishes, together with telephones, such as : Beach with Telephone, The Sublime Moment, Imperial Violets, or The Enigma of Hitler, in all of which this instrument symbolizes the period of great political tension in Europe which preceded World War II, particularly at the time of Munich, when the telephone played such an important role in the negotiations between the Allies and Hitler. Most of these pictures, including The Endless Enigma, were started - indeed, almost all were painted - at the estate of Coco Chanel, 'La Paula,' at Roquebrune on the Cote d'Azur.
Salvador Dali
Salvador Dali
Oil
Oil